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Showing posts from May, 2026

Elvis Richardson - Wollongong Art Gallery

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 This was a great show. Funny name though, I mean obviously he added the first name in place of the first name his parents gave him. But I had never heard of this artist and it's strange as he is obvioulsy important. These little regional galleries often have such great shows. Actually I really related to these works, they contain a lot in common with my own practice but I won't go into too much deetail about that here. But the colours (see above) are quite strange. I mean even though the works sort of share a lot in common with advertising, including the mixture of shapes and text, the overall tone of each work is very arty. Not about selling but about something else, something on the fringes. These colours won't appeal to everyone. Richardson's collage also appealing, though less impactful. Echoes of Rosalie Gascoigne of course. But clever figuration to make the stack of names look like an office tower (see above). Something cheeky about this composition, pointing to ...

Graham Mackie - Ceramic Break Sculpture Park, Warialda

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Mackie is adaptable working in paint as well as photography. I liked his rodeo shots which are distorted to emphasise the movement of the animals and the rider (see below). His paintings are colourful but figurative, I mean the colours are half realistic and half not. As if the saturation knob had been turned right up to max (see below). So a unique and talented artist who is not conforming to metropolitan ideals of how to represent, how to use colour, and how to depict the world. His landscapes are almost surreal in their contemporary feel, though they conform to old styles buried in the country's past. When I see his work I think of course of Albert Namatjira, but also of European models. Even if these models are rooted in Europe Mackie's works remain cemeted in the Australian landscape.

New South Vol 2 - Hazelhurst Arts Centre, Gymea

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This show  of sculptures encompasses works by people from Asia Pacific. A lot of the artists are from Melbourne and the work is not all excllent. I have picked out a few good examples of work. Bonita Bub's 'Painting Carriers' (above) contains I learned works from the gallery's collection. The curator on the floor said that she had actually never seen the works in the racks on display. Which points to the reason I liked this work, it tells a truth. That most art in the world is never shown it just sits in storage. Nearby Qunxiao Qu's 'Wig Shoes' sat on the floor like contestants in a celebrity dancing show, but without a partner. See above. The shoes were near another work by the same artist, a short piece of text written in neon light.  Alicia Francovich's 'Techno botanics' took up part of a wall (see above). While other works occupied space in the gallery itself, for example Bub's work or Qu's shoes, Francovich's work is wholly 2D. T...

Martin John Oldfield - Revel Making - Hazelhurst Art Gallery

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 I went to Wollongong hoping to visit the gallery but found too late it opens at midday, so popped into this gallery near Sutherland instead. The show is about noisy celebration, but the gallery was remarkably quiet. The works are dynamic however. I thought of insects for some reason. These sculptuires are fun, though sculpture is quite rare in commercial galleries. Hazelhurst is not commercial but these works are all for sale. You would need some sort of large courtyard to properly show them off. The works are certainly exuberant. They seem to give off sound, like malformed tuning forks. I had some lunch in the gallery cafe as well, which was nice after the long drive.